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65
宇宙船の操縦士として長期のミッションに出ていたミルズ。しかし、予期せぬ事故で未知の惑星に不時着してしまう。なんとそこは、6500万年前の地球だった。彼以外に生き残っていたのは、言葉の通じない少女コアだけ。ミルズは恐竜たちから少女を守りながら、離れたところに落下した脱出用小型船を目指すことに。しかし、そんな2人に、恐竜を絶滅させた巨大隕石の衝突という最大の危機が迫っていた。
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動画提供: YouTube / 予告1
宇宙船の操縦士として長期のミッションに出ていたミルズ。しかし、予期せぬ事故で未知の惑星に不時着してしまう。なんとそこは、6500万年前の地球だった。彼以外に生き残っていたのは、言葉の通じない少女コアだけ。ミルズは恐竜たちから少女を守りながら、離れたところに落下した脱出用小型船を目指すことに。しかし、そんな2人に、恐竜を絶滅させた巨大隕石の衝突という最大の危機が迫っていた。
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プロフィールを見る →AUDIENCE REVIEWS
"65 is a taut 93 minutes of sweaty tension, appropriately scaled action and surprising tenderness..."
Read the full review here: http://www.screen-space.net/reviews/2023/3/9/65.html
**65 had so much potential but couldn’t overcome its weird story restrictions.**
65 is not the horrible movie many recited claim it to be. It’s a decent sci-fi survival thriller with a handful of fun, suspenseful sequences but a slower pace and some strange story decisions kept the film from being the stand-out it had the potential to be. Two major writing choices held the movie back:
*SPOILERS AHEAD*
1. Killing every other person on board the ship leaving only the pilot and a nine-year-old girl to survive the dangers of prehistoric Earth minimized the threat and tension of the film. The audience reasonably assumes these two characters will survive at least to the end of the film and prevents the dangers from having any real bite (literally). Allowing for more survivors would have given more characters to fall prey to the terrors around them and raised the tension and the pace of the film.
2. Why did the writers choose to make the only two characters of the film speak two different languages? It reduced the dialogue to clunky and rudimentary exchanges that were annoying and mostly irrelevant. Having the young girl in shock and not speak at the beginning but slowly say more and more as she trusts the pilot would have been a better way to show development.
65 wasn’t a great or even a good movie, but it wasn’t bad either. I wasn’t disappointed with seeing it once on $5 Tuesday at the theater. It could have been epic, but a limiting screenplay and a lack of on-screen action prevented 65 from being anything better than decent.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/65-review
"65 is as unimaginative and predictable as anticipated, only even less entertaining and far more bland. Adam Driver and Ariana Greenblatt try their best, but apart from the climactic ending that delivers one of the best visual executions of an asteroid colliding with a planet in recent years, there isn't a single memorable aspect in this movie that’s part of an already packed subgenre with many stories worthy of more attention. A dinosaur flick this uninteresting should be considered a cinephilic crime."
Rating: D+
口コミはTMDBユーザーによる投稿です。ゾクログの見解を示すものではありません。
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