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Dune: Part Two
その惑星を制する者が全宇宙を制すると言われる砂の惑星デューンで繰り広げられたアトレイデス家とハルコンネン家の戦い。ハルコンネン家の陰謀により一族を滅ぼされたアトレイデス家の後継者ポールは、ついに反撃の狼煙を上げる。砂漠の民フレメンのチャニと心を通わせながら、救世主として民を率いていくポールだったが、宿敵ハルコンネン家の次期男爵フェイド=ラウサがデューンの新たな支配者として送り込まれてくる。
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その惑星を制する者が全宇宙を制すると言われる砂の惑星デューンで繰り広げられたアトレイデス家とハルコンネン家の戦い。ハルコンネン家の陰謀により一族を滅ぼされたアトレイデス家の後継者ポールは、ついに反撃の狼煙を上げる。砂漠の民フレメンのチャニと心を通わせながら、救世主として民を率いていくポールだったが、宿敵ハルコンネン家の次期男爵フェイド=ラウサがデューンの新たな支配者として送り込まれてくる。
宇宙の未来を賭けた復讐戦
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プロフィールを見る →AUDIENCE REVIEWS
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/dune-part-two-review-the-new-generational-epitome-of-sci-fi-epics/
"Dune: Part Two surpasses even the highest expectations, establishing itself as an unquestionable technical masterpiece of blockbuster filmmaking.
With a narrative that deepens the complex web of political relationships, power, faith, love, and destiny, it not only provides a breathtaking audiovisual spectacle, thanks to the genius of Denis Villeneuve, Greig Fraser, and Hans Zimmer, but it also offers a profound meditation on universal human themes through thematically rich world-building and thoroughly developed characters. The superb performances of the entire cast, led by a career-best Timothée Chalamet and a mesmerizing Zendaya, further elevate this incredibly immersive cinematic experience.
It warrants comparisons with the greatest sequels in history, easily becoming the new generational epitome of sci-fi epics."
Rating: A+
As anticipated, a thrilling watch!
I enjoyed <em>'Dune'</em>, though remember thinking it was obviously a complete set-up to a sequel and that this would only improve upon its predecessor - and that's very much the case. <em>'Dune: Part Two'</em> is excellent! My interest did wane slightly at roughly the middle part, as was similarly the case with the first film in truth, but that was a feeling that only lasted for a relativiely short time.
All in all, it's fantastic. The acting is top notch, the visuals are breathtaking <em>(those sandworms tho)</em> and the score is outstandingly hefty - you can always rely on the great Hans Zimmer! Timothée Chalamet stars yet again, as do the likes of Rebecca Ferguson, Zendaya, Dave Bautista & Co. The person I actually enjoyed most on screen was Javier Bardem, who is truly brilliant throughout.
Bring on <em>'Dune Messiah'</em>! On that note, happy to read that director Denis Villeneuve has noted that he won't be rushing that one out - and rightly so!
This is certainly a great looking film to see on a big screen with some really effective, almost industrially sounding, audio - but what happened to the story? It's wafer thin and really stretched out for 2¾ hours. We pick up with "Paul" (Timothée Chalamet) and his mother (Rebecca Ferguson) trying to convince the "Fremen" that they are worth the hassle. Fortunately, leader "Stilgar" (Javier Bardem) is convinced of the messianic state of the young refugee, whilst their own reverend mother is on her last legs which might give "Jessica" a chance to prove her own worth, and provide an opportunity to peddle some embellished mythology about her son's ascendant propheteering. All of this manoeuvring and politicking is having quite an impact on "Chani" (the under-used Zendaya) and on the relationship between her and the increasingly worshipped new Duke. Meantime, now fully reinvigorated and emerged from his bath of recuperative Guinness, the evil "Baron Harkonnen" (an almost Zeppelin-like Stellan Skarsgård) has recruited his lethal nephew "Feyd-Rautha" (Austin Butler) to get to grips with the rebellion on "Arrakis" that is bringing him into the gaze of an ill-satisfied emperor (Christopher Walken). Battle lines are drawn! Now whilst I did enjoy this, the rest of the film is a gloriously photographed but slowly paced hybrid of "Khartoum" (1966) and "Lawrence of Arabia" (1962) with a bit of the "Phantom Menace" (1999) thrown in for good measure. The acting is adequate but the characterisations are all too routinely sacrificed at the altar of the stunning visuals and from about an hour to go, I was convinced this this was but part two of three (or maybe even more). Walken and Charlotte Rampling feature all too sparingly to make much difference, indeed even Zendaya's warrior-like tendencies seem to have been neutered rather and I though that Chalamet just tried far too hard to imbue his character with a strength that he was far more successful with first time round. That said, it does work well enough as a classy and well produced sci-fi adventure with plenty of action and mysticism but I needed more meat on it's bones. I still get distinctly squeamish when I watch what they do with the water, let alone where they get it from!!
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