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カテゴリー
Between Midnight and Dawn
1950

Between Midnight and Dawn

Between Midnight and Dawn

5.7
★★★★★TMDB評価 30件

この作品の日本語あらすじはまだ登録されていません。

出演
Mark Stevens、エドモンド・オブライエン、Gale Storm、Donald Buka、Gale Robbins
ジャンル
犯罪
上映時間
89分

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🌎洋ホラー

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配信情報提供 JustWatch

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※ 配信状況や料金は変更される場合があります。リンク先で最新情報をご確認ください。

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OFFICIAL TRAILER

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動画提供: YouTube / Between Midnight and Dawn (1950) ORIGINAL TRAILER [HQ]

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TMDBユーザーの口コミ

原文のまま掲載
J
John Chard2015-11-10 · EN
★ 7.0
Here, buy yourself a new head. One with a brain in it! Between Midnight and Dawn is directed by Gordon Douglas and adapted to screenplay by Eugene Ling from a story by Gerald Drayson Adams and Leo Katcher. It stars E…

Here, buy yourself a new head. One with a brain in it!

Between Midnight and Dawn is directed by Gordon Douglas and adapted to screenplay by Eugene Ling from a story by Gerald Drayson Adams and Leo Katcher. It stars Edmond O'Brien, Mark Stevens, Gale Storm, Donald Buka and Gale Robbins. Music is by George Duning and cinematography by George E. Diskant.

Stevens and O'Brien play two prowl car cops, long time friends who fall for the same woman (Storm), but that could never come between them. That's the job of rising crime boss Ritchie Garris (Buka)...

On the page it looked as if it easily could have got bogged down by romantic threads and buddy buddy cop formula. Thankfully that isn't the case. Finding its way into a number of film noir publications, it's a pic that only just qualifies on account of certain narrative thematics and the night time photography of the always excellent Diskant.

On its own terms anyway it's a damn good policer, one that is handled with knowing direction from Douglas and features the reassuring presences of Stevens and O'Brien, both of whom play cops with different attitudes to the job, but both believable and never played as trite good cop bad cop fodder.

In the lady corner are Storm and Robbins, the former in the middle of our twin testosterone fuelled coppers, and the latter the gangster's moll. Both sultry and beautiful - even if Storm is sporting a hairstyle that equally is both distracting for the character and does her obvious sexiness no favours, but both the gals are written with thought and performed as such.

Then there is Buka as scumbag Garris. This character clearly has ideas above his station, something which our coppers gleefully like to remind him of. But Garris is a nasty piece of work, which ultimately leads us to a thrilling and suspenseful finale. Buka (The Street with No Name) really should have had a bigger noir/crime film career.

Sometimes funny and laced with choice dialogue, this still also manages to impact with dramatic, suspenseful and attention grabbing scenes. This a film that's easy to recommend to lovers of 40s/50s policer movies; it's also pretty bloody for the time. There's a great crew behind this and they don't let anyone down. 7/10

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