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Bury Me Dead
1947

Bury Me Dead

Bury Me Dead

4.7
★★★★★TMDB評価 19件

この作品の日本語あらすじはまだ登録されていません。

出演
Cathy O'Donnell、June Lockhart、Hugh Beaumont、Mark Daniels、Greg McClure
ジャンル
犯罪 / ドラマ / 謎 / コメディ
上映時間
68分

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🌎洋ホラー😂ホラーコメディ系

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配信情報提供 JustWatch

日本国内の配信情報は現在登録されていません。

※ 配信状況や料金は変更される場合があります。リンク先で最新情報をご確認ください。

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TMDBユーザーの口コミ

原文のまま掲載
J
John Chard2019-09-30 · EN
★ 6.0
Misconceptions of Psychoanalysis. Bury Me Dead is directed by Bernard Vorhaus and adapted to screenplay by Dwight V. Babcock and Karen DeWolf from a radio drama by Irene Winston. It stars June Lockhart, Cathy O'Donne…

Misconceptions of Psychoanalysis.

Bury Me Dead is directed by Bernard Vorhaus and adapted to screenplay by Dwight V. Babcock and Karen DeWolf from a radio drama by Irene Winston. It stars June Lockhart, Cathy O'Donnell, Hugh Beaumont, Mark Daniels, Greg McClure and Milton Parsons. Music is by Emil Cadkin and cinematography by John Alton.

Barbara Carlin (Lockhart) surprises everyone by turning up alive and well shortly after she had been buried at funeral! This poses two immediate questions: Who was buried in Barbara's coffin? And who was it who attempted to murder her?

As has been noted by the few writers on line who have written about this film, it's a grand premise that unfortunately isn't exploited to the maximum. This is material that makes us lament that the likes of "Lang", "Siodmak" or "Mann" didn't have this written idea land on their desks. Compact at under 70 minutes, it's a film that, under Bernard Vorhaus' guidance, just doesn't know if to play it as straight or as a straight out murder mystery comedy. Something further enhanced by Cadkin's musical score, which, quite frankly, belongs in an "Abbott and Costello" movie. However, the film rises above average because the script is actually strong and John Alton weaves some magic with his photographic lenses.

Narratively it's a good who done it? The mystery is strong and the reveal is not easy to guess from the off, though in fairness the comedy moments in the flashbacks kind of distract you from any detective work you want to partake in. But coupled with some sharp lines given to Lockhart, who delivers them with a scorpion like sting, it proves to be well written stuff. Yet without doubt it's Alton's work that makes this well worth viewing, whenever the film gets indoors the film takes on another dimension. Alton creates stark images at every turn, angled shadows everywhere, the whites ghostly and the darks deathly black. The last 15 minutes of the film are played out on this atmospheric stage and it's everything that an Alton fan could want. Even if it ultimately is work that deserves a far, far better film. 6/10

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