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The Golden Compass
われわれが住む世界と似ている並行世界の中の英国オックスフォード。幼いころに両親を亡くし、オックスフォード大の学寮で育った12歳の少女ライラだが、彼女の叔父アスリエル卿は“ダスト”と呼ばれる謎の粒子の秘密を調べるべく、北の地へ探検に向かう。そんなライラに上流社会の実力者コールター夫人が接近してくる一方、ライラの周囲で子どもが次々と失踪する。ついにライラの親友の少年ロジャーまでもが失踪してしまう。
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動画提供: YouTube / 『ライラの冒険 黄金の羅針盤』予告篇
われわれが住む世界と似ている並行世界の中の英国オックスフォード。幼いころに両親を亡くし、オックスフォード大の学寮で育った12歳の少女ライラだが、彼女の叔父アスリエル卿は“ダスト”と呼ばれる謎の粒子の秘密を調べるべく、北の地へ探検に向かう。そんなライラに上流社会の実力者コールター夫人が接近してくる一方、ライラの周囲で子どもが次々と失踪する。ついにライラの親友の少年ロジャーまでもが失踪してしまう。
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Philip Pullman novels are always dark and intricate - and they don't necessarily make a great deal of sense in isolation - so adapting them for the screen was likely to be a tough ask. This story centres around the young "Lyra" (Dakota Blue Richards) who overhears some sinister plotting by the "Magisterium" that could put the lives of other children - and the demons with whom they are connected - in dire jeopardy. Determined to thwart this, she heads to the frozen Arctic where she encounters "Scoresby" (Sam Elliott) and helps the dispossessed king of the polar bears "Iorek Byrnison" to reclaim his kingdom before all descend on an heavily guarded secret location where she hopes to free the children from the experiments. Director Chris Weisz has assembled a strong cast, on paper, here - but they don't really add much to what is an increasingly sterile story full of imaginative and impressive visual effects, but is remarkably devoid of engaging characterisations. Richards is fine, indeed given that she probably spent much of her time acting against a blue screen, she fairs quite well but Daniel Craig isn't on screen often/long enough to make much impact, nor is the conniving "Mrs. Coulter" (Nicole Kidman) used to anything like enough of an extent to exude much menace. Her adventures are well put together but are too episodic to knit the whole story together very well before a denouement that clearly illustrated that this story is part of a series and that more was yet to come in a sequel - if we were to make enough sense of the continuing dynamic. It's also rather wordy, too, which paired with the manner in which Weitz has decided to present this leaves it all just a bit dry, dull even. Great looking, though...!
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